This piece is a brief improvisation recorded directly to two-track stereo. It was made using my customary dual-laptop setup, which allows me real-time control of digital synthesis, granular resynthesis and field recordings. The two field recordings used here were made in Aragon, Spain, in July, 2011. As I improvised this piece, I chose my materials for purely sonic reasons. They seemed to offset each other well and were fun to explore. I had no narrative program in mind and no other goal than... Topic: electroacoustic improvisation
Bingo ! est la métamorphose ultime d'un empilage sonore engagé il a quelques années par SinocMisuc. De grands coups de ciseaux dans les sessions précédentes ont fournis le materiau pour cette impro "Boucles et Guitare électrique". Resultat : Encore de la MDO* !!! Bingo ! est une longue palissade ajourée de sons, plantée dans un paysage urbain où se mèlent passants, skateurs, pigeons et corbeaux. *Musique Déstabilisée par Ordinateur www.laptitemaison.com Topics: electroacoustic, improvisation
BLINDSIGHT is the debut album from electroacoustic improvisors Jamie Drouin, Lance Austin Olsen, and Mathieu Ruhlmann, working under the acronym D.O.R. BLINDSIGHT documents the first meeting between the three artists at Drouin’s home, revealing both the natural synergy between their individual palettes, as well as the intuitive adeptness of these established artists. BLINDSIGHT refers to the phenomenon where a person with perceptual blindness is able to detect certain movements or stimuli, a... Topic: electroacoustic, improvisation
FF: contact mics, objects and electroacoustic devices. LB: contact mics, objects and electroacoustic devices. Recorded live on May 5th 2010 at Niu, Barcelona. more info: www.lalibarriere.net www.ferranfages.net Novosibirsk is the first release of Ferran Fages and Lali Barrière's duo, active since 2009. Novosibirsk was recorded live on May 5th 2010 at Niu, Barcelona. Both, Ferran and Lali, use similar devices, some of them made by themselves. Lali's sound is more focused in amplifying textures... Topic: electroacoustic improvisation
just after the night the night shrinks cracks in the cool the rain the wind words still cold and dreams which disappear no one can do anything no one this is very sad (it is well to admit) but look ahead where shall be in this dawn full of hope promises (always promises) slow movements awkwardness also open up to the light in silence in this unformed cottony moment you can feel your heart beat your soul lives your body moves a new day can begin _____________________ juste après la nuit la... Topic: electroacoustic improvisation
doministiku [doku86] ilia belorukov & alexander markvart . live in riga, october 2012byilia belorukov - alto saxophone with mini-amplifier, objects >belorukov.blogspot.com.esalexander markvart - acoustic guitar, objects >www.markvart.orgreleased by doministiku ( www.xedh.org/doministiku )aboutThe idea of creating this duet occurred to Alexander Markvart after several collaborative performances and recording sessions in the context of collaboration with Siberian Improvisation... Topic: electroacoustic improvisation
brand new release by this well-known Canadian sound artist. 'Absolutely Ignorant' was inspired by an excerpt from the Venerable Bede's work " Ecclesiastical History of the English People" which focuses on the ultimate fallibility of human knowledge concerning the fundamental questions that confront us. As Red as Rubies (2004) A reconstructed and extended excerpt of an as yet unreleased CD which explores sonifications around the ideas of alchemy. The fundamental concept of alchemy is... favoritefavoritefavoritefavoritefavorite ( 3 reviews ) Topic: electroacoustic improvisation Source: www.con-v.org
Poželjno je otvoriti prozore pri vožnji i osluškivati jer se u magli zvuci intenzivnije čuju. Snimljeno u Beogradu tokom avgusta i decembra 2011. __________________________________ It is desirable to open the windows while driving and listen, because sounds are heard more intensively in fog. Recorded in Belgrade during August and December 2011. Topics: free improvisation, electroacoustic improvisation
As avid listeners surely has noted, exercises in improvised sound has, to an increasing extent, begun to bridge the gap between restrained tone clusters and the underworlds of grit and abrasion. But what is the nature of this 'noise' being adapted? If what we are dealing with truly is a case of adaptation, this might prove problematic, implicating the displacement of sound into new contexts rather than a profound familiarity with the matter at hand. While such strategies have rendered... Topics: electroacoustic, improvisation, experimental Source: Clinical Archives
These works are experimental electroacoustic compositions, featuring elements of live- and studio-based improvisations and field recordings made during 2004-5. The approach was to construct a form of audio diary compiled from events and performances held during this period, producing a digital memory. Mixed at Uplands, December 2005. Topic: electroacoustic improvisation, experimental electronica
LO PAN & PBR STREETGANG 'Duets 2' C23_054 The second installment of 'Duets', in which Lo Pan and PBR Streetgang eschew much of the instrumentation of the first release. This time around it's an atmospheric mixture of analogue synthesis, virtual saxophone, VSTs playing themselves with no input signal, and a variety of acoustic clutter. Topics: Experimental, Electroacoustic, Improvisation
This work was created using only the sounds of tapping on a microphone, while improvising with custom software created by the artist. Note: This work contains sounds that are usually considered errors or signs of hardware problems, but they are a part of this work. Topics: Electroacoustic, Improvisation, Noise, Glitch
Though they set out into a bleak and diffuse landscape of shortwave emissions and general dissonance, TFH find some kind of coherence and resolution over the course of this 54 minute improvisation. Good one. C23CDR014. Topics: Experimental, Electroacoustic, Improvisation
Pequod batte la seta dei mari e dei fiori artici. Pequod cerca. Pequod e viene trovata e la bianchezza feroce cade su Pequod .. PEQUOD è un progetto che nasce a febbraio 2010 per volontà di Massimo Valentinotti, Federico Robol e Luca Santini. Federico Robol: flauti, c-melody sax, flauto basso preparato, basso acustico preparato, archetti; Massimo Valentinotti : chitarre preparate, oggetti, archetti; Luca Santini : cornetta, trombe preparate, alto sax, batteria, archetti. Comincia quasi per... Topics: electroacoustic, improvisation, cage
Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980. Claudio lived in the USA between 1981 and 2004. He has participated in several projects in Los Angeles (Dannie Cove Big Band, Storacci Sextet, Carlos Miralles group, Bhrama Nada and the Nuñez/Tomlinson/Weiss trio), and in New York (Nuñez-Bagnato duet, the Charlie Martins quartet and several versions of the Claudio Nuñez... favoritefavoritefavoritefavoritefavorite ( 3 reviews ) Topics: free jazz, electroacoustic, improvisation, other Source: Clinical Archives
This is an improvised performance at the International Society for Improvised Music conference by Jeff Morris (live audio sampling), Eric km Clark (violin), and Gracie Arenas (live video processing). Topics: electroacoustic, improvisation, sampling, live video
Through A Glass Darkly's approach to ambient sound is to get started somewhere in the middle and follow spontaneous ideas during their live improvisations, which in a certain way resemble Minimalist music. "Luminal", Darrel Mayers' and Nigel Jacobs' début on the Petcord netlabel, utilises repetition as a means to dive into a hypnotic state of consciousness. As the music progresses, the apparent linearity of time is cancelled and expands to infinity with echoes of staccato guitars... Topics: experimental, minimalist music, electroacoustic, improvisation
This is the first set of tarrorisms recorded in 2009. There is a no-order in the sequence. It is about NOW. And GONE. For GAHL’s sake: it just is. Listen. This is part of the output of michel rebell aka guitarrorism, member of a deconstructed artificial multiple personality, an omnifunctional gahlistic* superartist. Free to stop, whenever wants to. guitarrorisms accumulation of tones, sounds and noises is an expression of a forcing necessity of totally tonal, technical and emotional freedom... Topics: experimental, acoustic, electroacoustic, improvisation, other Source: Clinical Archives
The album contains pieces by the composers Mário Del Nunzio and Henrique Iwao, composed specifically for dance performances. Mário Del Nunzio’s words about the album: In the musical works I have so far developed for dance, it was clear that the music would have absolute autonomy in its conception (except for its legnth), and this technical and esthetical autonomy was expected by the directors I've worked with; but, at the same time, some dramaturgical-thematic content was to be shared,... Topics: electroacoustic, improvisation, experimental, contemporary, live-electronics Source: Clinical Archives
Reissue of the first full length release by the group, released in limited numbers in 2001. A mix of digital & analogue sound sources & techniques produces a soundscape of throbbing pulses, off balance tones, deep drones, gritty noise textures & delicate high end electronics. Diaspora for these recordings were: Lloyd Barrett, Joe Musgrove, Andrew Thomson & BW Bird. favoritefavoritefavoritefavoritefavorite ( 1 reviews ) Topics: experimental, ambient, drones, electronic, electroacoustic, improvisation
Gretchen killed children with evil telepathy and drank the blood of her maternal teacher. She was an indestructible highwireartist and the living greed. We loved her. Quieck in peace. This is part of the output of michel rebell aka guitarrorism, member of a deconstructed artificial multiple personality, an omnifunctional gahlistic* superartist. Free to stop, whenever wants to. guitarrorisms accumulation of tones, sounds and noises is an expression of a forcing necessity of totally tonal,... Topics: experimental, acoustic, electroacoustic, improvisation, gahlism, other Source: Clinical Archives
\\\ TENDENCY RECORDINGS 039 \\\ HAMMING DISTANCE TRIO Pat Clark: Electric Violin (Keyboard on tracks 4,5) Jonathan Cram: Electric Guitar, Live Electronics (Bass Guitar on tracks 4,5) Chad McCoy: Trumpet, Assorted Percussion, Live Electronics 01 FlyWayBlueJay 02 In Memoriam (Anonymous) 03 Word Golf....Fog World 04 Why Doesn't She Get The Gist Between The Fog And/Or The Mist? 05 The Blindfolded Circus 06 Open Wide Eyes Spontaneous and Structured Improvisations Recorded November 26th, 2006 at... Topics: Tendency Recordings, Bonetar, Electroacoustic, Improvisation, Violin, Guitar, Trumpet, Live...
//// TENDENCY RECORDINGS 025 //// Recorded July 19th, 2009 Apothecary Blue plays: Trombone, Effects Pedal, Oscillator, Broken Guitar, Compressor From the 5th LP, "In Light From Somewhere Within" Other releases available at tendencyrecordings.bandcamp.com Topics: Tendency Recordings, Apothecary Blue, Chad McCoy, Electric Trombone, Noise, Experimental,...
Subduction is proud to present its inaugural release, M. Cera's Schismogenesis EP, a 25-minute real-time improvisation comprised of field recordings collected from various travels throughout the U.S. and processed using custom software designed in Max/MSP. favoritefavoritefavoritefavoritefavorite ( 2 reviews ) Topics: Ambient, Experimental, Soundscape, Field Recordings, Location Recordings, Electroacoustic...
Four O*Clock Chimes is an album of pure electroacoustic improvisation by Clutter using field recordings from around the UK. Tracks 2-4 were originally recorded for a session on the Jeff Grainger Show on Dandelion Radio in October 2009. All tracks were recorded with a combination of software and hardware and have only been topped and tailed for release no other editing has taken place. Clutter is Shaun Blezard, an improvising sound artist and musician from Cumbria, UK. He has released a number... Topics: electroacoustic improvisation, ambient, experimental, electronic, sound art, sonic art, generative,... Source: Clinical Archives
//// TENDENCY RECORDINGS 053 \\\\ BoneTar "Sketches From A Plutonian Planet" BoneTar are: Jonathan Cram Electric Guitar, Live Electronics Chad McCoy Acoustic Trombone, Electrombone, Vox, Live Electronics 01 "Endings Are Places Where All Things Begin" 02 "Travelling The Multiverse" 03 "Orbiting Plates" 04 "William Gibson's Detroit" 05 "A Star Is Bornite" 06 "Turbinal Gyroscope (Looking at Dinosaurs) 07 "Transport...Ability 08... Topics: Tendency Recordings, Jonathan Cram, Chad McCoy, Electroacoustic, Improvisation, Drone, Noise,...
[[[[[[[ TENDENCY RECORDINGS 075 ]]]]]]] CHAD McCOY "The Trombone + Suspended Cymbal + Live Electronics" (Nois...EP Volume 3) Track 01 "The Trombone + Live Electronics "I" Track 02 The Suspended Cymbal + Live Electronics "II" Track 03 The Trombone + Live Electronics "III" Track 04 The Trombone + Live Electronics "IV" Recorded Summer of 2010 at the Middle of NowHere Studios, CA Cover Painting: Wendy Agudo More releases available at... Topics: TENDENCY RECORDINGS, Experimental, Live Electronics, Minimalism, Noise, Psychedelic, Drone, eai,...
Didi Kern: drums, percussion Petr Vrba: trumpet, vibrating speakers The Viennese drummer Didi Kern (bulbul, broken heart collector, fuckhead) sometimes plays a trumpet. The Prague trumpetist Petr Vrba (los amargados, iq+1, rouilleux) sometimes plays drums. After meeting two years ago on stage they occasionally meet and work with joy and love to create space where static structures quickly change, where silence and noise are a pleasure, and sound is equal to music. Delight for those who enjoy... Topics: experimental, electroacoustic, improvisation, Petr Vrba, Didi Kern, Der blöde dritte Mittwoch
//// TENDENCY RECORDINGS 045 //// Chad McCoy Begin From The End "Begin with the end in mind" 01 "667" 02 "The Great Rift(s) 03 "Nibiru" 04 "Light Echoes" 05 "Emu in the Sky" 06 "2012tone #6 07 "Sagittarius (A)" 08 "Comet Lovejoy (December 17, 2011) = The day after the Mesoamerican Long Count Calendar Gregorian Date (December 22, 2012)" Performed and Recorded by CM 13 November 2011 at 667 Studios, California. Mixdown... Topics: Tendency Recordings, Apothecary Blue, Drone, Minimalism, Serialism, New Age, Ambient, Noise,...
/// TENDENCY RECORDINGS 017 /// APOTHECARY BLUE 2006/2007/2008 www.myspace.com/apothecaryblue Other releases available at tendencyrecordings.bandcamp.com Topics: Tendency Recordings, Apothecary Blue, Chad McCoy, Experimental, Electroacoustic, Improvisation,...
Questo lavoro nasce da due sessioni di improvvisazione registrate nella prima parte del 2009 e quindi elaborate al computer nella primavera del 2010. Usare la metafora del concetto di "habitat" per dare il titolo a questo album nasce dal desiderio di considerare lo spazio sonoro secondo una dimensione in cui i processi musicali attuati siano idealmente riconducibili a modalità di sviluppo e connessione tipiche dei processi in natura. In questa prospettiva ogni pezzo è da... Topics: electroacoustic, improvisation, ambient, electronic, indietronica, field recordings, Difondo,...